home
***
CD-ROM
|
disk
|
FTP
|
other
***
search
/
TIME: Almanac 1990
/
1990 Time Magazine Compact Almanac, The (1991)(Time).iso
/
time
/
caps
/
20s
/
20gantry
< prev
next >
Wrap
Text File
|
1990-10-11
|
3KB
|
44 lines
Elmer Gantry
(MARCH 14, 1927)
Elmer Gantry--Sinclair Lewis. Author Sinclair Lewis, whose
position as National Champion Castigator is challenged only by his
fellow idealist, Critic Henry Louis Mencken, has made another large
roundup of grunting, whining, roaring, mewing, driveling, snouting
creatures--of fiction--which, like an infuriated swineherd, he can
beat, goad, tweak, tail-twist, eye-jab, belly-thwack, spatter with
sty-filth and consign to perdition. the new collection closely
resembles the herd obtained on the Castigator's last foray against
the medical profession (Arrowsmith, 1925) and a parallel course is
run, from upcreek tabernacles, through a hayseed college and
seminary to a big-city edifice with a revolving electric cross. But
the Arrowsmith plot is altered. This time the Castigator, instead
of exerting his greatest efforts in harrying a fine-mettled creature
to refuge in the wilderness, singles out the biggest boar in sight
and hounds him into a gratifyingly slimy slough. The tale has an
obscure hero, another Lewisian lie-hunter who, to purge the last
bitter dregs of pity and fear, gets his gentle eyes and mouth
whipped to a black pulp by the K.K.K. before he is released. But
the boar is the chief sacrifice and its name has the inimitable
Lewis smack, Elmer Gantry.
What folk of the 21st Century are going to ask about 20th Century
cinemas, tabloid newspapers and this book, is: "Did such people
really live in the U.S.?" Their hastier historians will say: "Yes,"
and show convincing clippings from the N.Y. times's rag editions
(instituted 1927) about John Roach Straton, Edward Hall and Aimee
Semple McPherson. Of course, these headliners are no more
representative of the U.S. Senate. But the Castigator, trained on
newspapers to inflict sansculottism, portrays skeletal types of
Americanos with all the malice, which is more than all the art, of
which he is capable. The clerical creatures in Elmer Gantry are
children of ideas and the ideas seem to have been shipped up out
of unhappy memories of the Sauk Centre Sunday School, with all the
panicky fury of a believer's wrestling with Doubt. This wrestling
has cost the Castigator ill nature, megalomania, nervous breakdowns
and the creatures of his forced moods are far less credible, as
contemporary humanity, than Hogarth's Gin Alleyites, Swift's
Anglo-Lilliputs or even Dante's infernals. As literature Elmer
Gantry is compelling and permanent, but only for its violent
virtuosity.